Current/ Upcoming
Yorkshire Sculpture International - Sculpture network artist
2026 The Manchester Contemporary, with YSN 2025
Solo/ Duo Solo
2026 Henry Moore After Hours, selected by Workingclass Database, Royal Botanical Gardens Kew, London/ UK
2026 Les Jardin Des Muses: Testing Ground, YAS, Sheffield/ UK
2026 Czech National Gallery in Prague, Arietis Sisters and the Sun with Miroslava Vecerova, performance as a part of 230th anniversary celebrations of National Gallery in Prague/ CZ
2025 From Ancient Waters to Arid Landscapes, in collaboration with Miroslava Vecerova, GLOAM Gallery, Sheffield /UK
2024 From Arid Landscapes to Ancient Waters, in collab with Miroslava Vecerova, FOR MAAT Gallery, Trencin/ SK
2023 Wishful Thinking, Site Gallery/ UK
2017 Watching a Strange Theatre, in collaboration with Karolina Mikeskova, Deptford X Gallery, London /UK
2016 Watching a Strange Theatre, in collab with Karolina Mikeskova, Deptford Cinema, Deptford X Fringe, London /UK
2014 Lucie & Lucia, in collaboration with Lucia Kotvanova, YMCA, Bratislava /SK
2013 Imaginary Worlds, Pilot Club, Prague /CZ
2010 Krakora, Roxy Club, Prague /CZ
Awards/ Shortlists
2026 Shortlist for Syllabus 2026
2025 Yorkshire Sculpture International, Sculpture Network Artist
2025 Shortlist for Syllabus 2025
2025 The Eaton Fund
2024 European Mobility Fund, Creative Europe
2018 Fond na Podporu Umenia for project DARK BUT HAPPY PLACE / SK
2016 Deptford X Fringe Award, with Karolina Mikeskova, London / UK
2012 Finalist of Schwarzkopf Fashion Talent, Bratislava /SK
2011 Finalist of New Fresh Style, Prague Fashion Weekend /CZ
2010 Finalist of Top Style Designer, Styl and Kabo, Brno /CZ
2010 Dean’s undergraduate award for bachelor thesis Portraits /CZ
2009 Grunder Kunstpreis, 3rd place, The Birds, digital print /DE
2008 Stickstich 008 – Designpreis Plauen, Experimental embroidery /DE
Residencies/ Other projects
2026 Testing Ground, YAS, Sheffield/ UK
2024 GLOAM gallery, Sheffield /UK
2023 Workshops with Society of Explorers, Site Gallery, Sheffield /UK
2023 ScreenSkills, Start a Career in Costume Programme, Jane Petrie, Beth Gillman and Vanessa Lingham
2020 ILE, resina, online residency /UK, SWE, IT
2018 Artist led Sunday Spot workshop in collaboration with Art Assassins, South London Gallery, London /UK
2017 Ferrara Residency, Ferrara, Italy /IT
2017 Recreative Film School, South London Gallery, London /UK
2014 DAT's creatives in residency, Residency, Nuremberg /DE
2012-2014 Open Studio, VSVU with Ilona Nemeth, Bratislava /SK
2012 Open Form, Zbigniew Libera, Bratislava /SK
2012 In the Gardens, Symposium, Litomerice /CZ
2010, 2008 Experimental embroidery research and residency, Schaustickerei, Plauen /DE
2009 Storyboard, Jizerka /CZ/DE/PL
2007 Handcraft embroidery and lace, Schaustickerei, Plauen /DECurated
Curated
2022 Healing Orozco Garden workshop led by Vladimira & Miroslava Vecerova, South London Gallery, London /UK
2020 Working Progress, South London Gallery, London /UK
2020 Working Progress, Deptford Cinema, London /UK
2019 Motion of Difference, Parapet Gallery, Slovakia /SK (co-curated)
2019 A room of one's own vol 2, collaboration with Cherche Encore, London /UK
2018 Ferrara Residency 2018 /IT (co-organisated)
2018 A Fluid Haze: thought-forms from Ferrara Residency / IT (co-curated)
2018 Dark But Happy Place, Deptford Does Art, London / UK
2018 Not-writings, Deptford Does Art, London / UK (co-curated)
2017 sixtyseven collective /UK (founder)
2017 Watching a Strange Theatre, Performances, The Old Tidemill Garden, London /UK (co-curated)
2016 Life Drawing Season, Deptford Cinema, London /UK
2015-16 Czech and Slovak Stories film season at Deptford Cinema, London /UK
2014 Why don't you go play with your brother? The TRAFO Gallery, Prague /CZ (co-curated)
2014 CZECHOSLOVAKIA, The Nitra Gallery, Nitra /SK (co-curated)
2014 BIBIONE, A4, Bratislava /SK
2013 Zeme v Trojsmysle, A4, Bratislava /SK
2013 Prostor Pameti, A4, Bratislava /SK
Statement
I understand my practice as sculptural. It takes the form of site-responsive installations including sculpture, moving image, costumes and performance. My background is in textiles and it informs the way I work with my chosen materials, structures and textures.
My recent work focus is on the transformation of landscapes and species by human intervention, and the storytelling and mythmaking that reflects and embodies these changes. Central to how individual communities understand the world they inhabit are the stories they tell about their locality and the rituals they enact. As these are passed on from generation to generation they shift and adapt, responding to new contexts and new temporalities - such transformations emerge in my work too. Through traditional and ritualistic objects, songs and stories, I explore how ancestral knowledge is passed on through our hands and voices. This transference across time is also an act of translation, another theme central to my work as an artist living and working abroad.
Though my work takes on many forms, my practice responds to the surroundings in which I work, whether that be the remnants of Sheffield’s industrial past or the moors and valleys of Derbyshire and Yorkshire, and further afield. I use steel, fibre, sounds, patterns, repetitions and cycles. Many of the materials I use are foraged or reclaimed, such as bog cotton, grass or seaweed, and are arranged or transformed through traditional tactile techniques such as embroidery and weaving. I am particularly alert to how materials are transformed through use and when transposed to different environments.
Many of my works also incorporate performance, reflecting my interest in ritual and community. Furthermore, I aim to interrogate what exactly performance consists of, questioning what happens to a performance when the performers are no longer there; or in exploring how viewers become participants once they enter the exhibition space and interact with the work?
![At the YAS Residency. Photo: James Clarkson]()
Yorkshire Sculpture International - Sculpture network artist
2026 The Manchester Contemporary, with YSN 2025
Solo/ Duo Solo
2026 Henry Moore After Hours, selected by Workingclass Database, Royal Botanical Gardens Kew, London/ UK
2026 Les Jardin Des Muses: Testing Ground, YAS, Sheffield/ UK
2026 Czech National Gallery in Prague, Arietis Sisters and the Sun with Miroslava Vecerova, performance as a part of 230th anniversary celebrations of National Gallery in Prague/ CZ
2025 From Ancient Waters to Arid Landscapes, in collaboration with Miroslava Vecerova, GLOAM Gallery, Sheffield /UK
2024 From Arid Landscapes to Ancient Waters, in collab with Miroslava Vecerova, FOR MAAT Gallery, Trencin/ SK
2023 Wishful Thinking, Site Gallery/ UK
2017 Watching a Strange Theatre, in collaboration with Karolina Mikeskova, Deptford X Gallery, London /UK
2016 Watching a Strange Theatre, in collab with Karolina Mikeskova, Deptford Cinema, Deptford X Fringe, London /UK
2014 Lucie & Lucia, in collaboration with Lucia Kotvanova, YMCA, Bratislava /SK
2013 Imaginary Worlds, Pilot Club, Prague /CZ
2010 Krakora, Roxy Club, Prague /CZ
Awards/ Shortlists
2026 Shortlist for Syllabus 2026
2025 Yorkshire Sculpture International, Sculpture Network Artist
2025 Shortlist for Syllabus 2025
2025 The Eaton Fund
2024 European Mobility Fund, Creative Europe
2018 Fond na Podporu Umenia for project DARK BUT HAPPY PLACE / SK
2016 Deptford X Fringe Award, with Karolina Mikeskova, London / UK
2012 Finalist of Schwarzkopf Fashion Talent, Bratislava /SK
2011 Finalist of New Fresh Style, Prague Fashion Weekend /CZ
2010 Finalist of Top Style Designer, Styl and Kabo, Brno /CZ
2010 Dean’s undergraduate award for bachelor thesis Portraits /CZ
2009 Grunder Kunstpreis, 3rd place, The Birds, digital print /DE
2008 Stickstich 008 – Designpreis Plauen, Experimental embroidery /DE
Residencies/ Other projects
2026 Testing Ground, YAS, Sheffield/ UK
2024 GLOAM gallery, Sheffield /UK
2023 Workshops with Society of Explorers, Site Gallery, Sheffield /UK
2023 ScreenSkills, Start a Career in Costume Programme, Jane Petrie, Beth Gillman and Vanessa Lingham
2020 ILE, resina, online residency /UK, SWE, IT
2018 Artist led Sunday Spot workshop in collaboration with Art Assassins, South London Gallery, London /UK
2017 Ferrara Residency, Ferrara, Italy /IT
2017 Recreative Film School, South London Gallery, London /UK
2014 DAT's creatives in residency, Residency, Nuremberg /DE
2012-2014 Open Studio, VSVU with Ilona Nemeth, Bratislava /SK
2012 Open Form, Zbigniew Libera, Bratislava /SK
2012 In the Gardens, Symposium, Litomerice /CZ
2010, 2008 Experimental embroidery research and residency, Schaustickerei, Plauen /DE
2009 Storyboard, Jizerka /CZ/DE/PL
2007 Handcraft embroidery and lace, Schaustickerei, Plauen /DECurated
Curated
2022 Healing Orozco Garden workshop led by Vladimira & Miroslava Vecerova, South London Gallery, London /UK
2020 Working Progress, South London Gallery, London /UK
2020 Working Progress, Deptford Cinema, London /UK
2019 Motion of Difference, Parapet Gallery, Slovakia /SK (co-curated)
2019 A room of one's own vol 2, collaboration with Cherche Encore, London /UK
2018 Ferrara Residency 2018 /IT (co-organisated)
2018 A Fluid Haze: thought-forms from Ferrara Residency / IT (co-curated)
2018 Dark But Happy Place, Deptford Does Art, London / UK
2018 Not-writings, Deptford Does Art, London / UK (co-curated)
2017 sixtyseven collective /UK (founder)
2017 Watching a Strange Theatre, Performances, The Old Tidemill Garden, London /UK (co-curated)
2016 Life Drawing Season, Deptford Cinema, London /UK
2015-16 Czech and Slovak Stories film season at Deptford Cinema, London /UK
2014 Why don't you go play with your brother? The TRAFO Gallery, Prague /CZ (co-curated)
2014 CZECHOSLOVAKIA, The Nitra Gallery, Nitra /SK (co-curated)
2014 BIBIONE, A4, Bratislava /SK
2013 Zeme v Trojsmysle, A4, Bratislava /SK
2013 Prostor Pameti, A4, Bratislava /SK
Statement
I understand my practice as sculptural. It takes the form of site-responsive installations including sculpture, moving image, costumes and performance. My background is in textiles and it informs the way I work with my chosen materials, structures and textures.
My recent work focus is on the transformation of landscapes and species by human intervention, and the storytelling and mythmaking that reflects and embodies these changes. Central to how individual communities understand the world they inhabit are the stories they tell about their locality and the rituals they enact. As these are passed on from generation to generation they shift and adapt, responding to new contexts and new temporalities - such transformations emerge in my work too. Through traditional and ritualistic objects, songs and stories, I explore how ancestral knowledge is passed on through our hands and voices. This transference across time is also an act of translation, another theme central to my work as an artist living and working abroad.
Though my work takes on many forms, my practice responds to the surroundings in which I work, whether that be the remnants of Sheffield’s industrial past or the moors and valleys of Derbyshire and Yorkshire, and further afield. I use steel, fibre, sounds, patterns, repetitions and cycles. Many of the materials I use are foraged or reclaimed, such as bog cotton, grass or seaweed, and are arranged or transformed through traditional tactile techniques such as embroidery and weaving. I am particularly alert to how materials are transformed through use and when transposed to different environments.
Many of my works also incorporate performance, reflecting my interest in ritual and community. Furthermore, I aim to interrogate what exactly performance consists of, questioning what happens to a performance when the performers are no longer there; or in exploring how viewers become participants once they enter the exhibition space and interact with the work?
Group Exhibitions/ Projects
2026 Perennial, Haarlem Artspace, Wirksworth/ UK
2026 Artificial Flavour, Sata Gallery (Arts Basel Hong Kong)/ HK
2026 Members Open Show, Bloc Project, Sheffield/ UK
2025-2026: Gentle Revolts, selected by Umulkhayr Mohamed, Bloc Project, Sheffield/ UK
2025 Hammer, Anvil, Stirrup, YSI , Henry Moore Institute Research Library, Leeds /UK
2025 Rhythm of Labour: Grit & Graft, Hedge & No Bounds festival, Sheffield /UK
2025 Czech National Day at Saul Hay Gallery, Manchester /UK
2025 Performance Melusine, Crystal Valley Week, Liberec /CZ
2025 Gloam Exchange with Free House, Junction Works (Grand Union), Birmingham /UK
2024 Wearable sculpture commissioned by Laura Wilson, East Gallery Norwich University of the Arts, Norwich /UK
2024 Fusion, Museum of History and Ceramics in Biot, Biot/ FR
2024 Melusine: Whispers of the Glass Serpent, International Glass Festival, Biot/ FR
2024 Hydra, Collective Fictions, St Leonards-on-Sea / UK
2024 OSTARA, Electro Studio Project Space, St Leonards-on-Sea /UK
2023 Costume commissioned by Laura Wilson: To the Wind’s Teeth & Deep, Deepen, Deepening costumes on display at CCA, Derry-Londonderry /UK
2022 Gutted; IN-SIDE-OUT-SIDE-IN, Site Gallery, Sheffield /UK
2021 Commissioned by Laura Wilson: Resting; Stanley Picker Gallery, London /UK
2021 Costume commissioned by Laura Wilson: Resting; V&A Museum, London /UK
2021 Costume commissioned by Laura Wilson: To the Wind’s Teeth; Llwyn Celyn /UK
2020 Let's All Look at How We Look When We Are Alone Together, ReCreative Film School Online Screening, South London Gallery, London /UK
2020 Volny Termin, group show, Pistoryho Palac, Bratislava /SK
2020 Costumes for Janine Harrington: good luck, dinosaur; Fest en Fest, London /UK
2019 Motion of Difference, Temporary Parapet Gallery, Bratislava /SK
2019 Artrooms, Moravany Nad Vahom, Slovakia /SK
2019 Invisible City, The Steamship, London /UK
2019 Costumes for Laura Wilson: Deep, Deepen, Deepening, Norwich Castle Museum & Art Gallery /UK
2018 RAM reading group, Index - The Swedish Contemporary Art Foundation, Stockholm /SE
2018 How did you get into my house?, REcreative Screening, South London Gallery, London /UK
2017 a bath of self-esteem, Galleria del Carbone and GATE/Porta, Ferrara/ IT
2017 Who Cares?, Ilturco, Ferrara/IT
2016 0 or 1, HIVE Dalston, London /UK
2016 The Hospitality 1, Deptford Cinema, London /UK
2015 OFF2 BIENNALE, Prague National Gallery /CZ
2014 Participant of The actual Utopia month project by Maureen Bachaus at 'Flux Factory contemporary art centre' in New York City /US
2014 YOU ARE HERE, Kingsgate Gallery, London /UK
2014 Contextilisation, Kalopsia Gallery, Edinburgh /UK
2014 Peripheral Vision, Biennale of young Art, MMOMA, Moscow /RU
2014 3 plus 3, Ponava factory, Brno /CZ
2014 MA exhibition, YMCA, Bratislava /SK
2014 CZECHOSLOVAKIA, The Nitra Gallery, Nitra /SK
2014 Nalomeni, K4 Gallery, Prague /CZ
2013 KURA’s festival, Sedlec-Kutna Hora /CZ
2013 Umeni z mista, Nekazanka, Prague /CZ
2013 Bramer’s mansion, Museum of Hungarian Culture in Slovakia, Bratislava /SK
2013 Portas Abertas/Open Doors, Evora /PT
2013 Fud in Meetfactory, Meetfactory, Prague /CZ
2013 Jejihloubka ornamentu, Gallery Na Kalvarii, Ostre /CZ
2013 Minimální trvanlivost, Emil Filla Gallery, Usti nad Labem /CZ
2012 V jednom kole v sedmém nebi, Liberec /CZ
2012 V zahradach, Symposium, Litomerice /CZ
2012 Move-up, Porto, Portugal /PT
2010 BA degree exhibition, North Bohemian Museum, Liberec /CZ
2009 Gründerkunstpreis in Zittau Library and National Technical Library, Liberec /CZ, DE
Publications/ Press
2026 Interview with Workingclass database
2026 Workings, publication about Lucie’s residency at YAS with text by Meghan Goodeve
2026 Hammer, Anvil, Stirrup, artist's publication made by the fifteen sculptors of YSI Sculpture Network 2025, ISBN: 978-1-905462-68-1
2026 https://www.sata.info/events/dialogue-forging-human-networks-connections-in-artificial-flavour-by-lily-wong/
2025 Axisweb Curated Section, Selected by Lucy Wright
2024 Flesh Art no. 73, From Arid Landscapes to Ancient Waters, review by Lucia Kotvanova
2024 From Arid Landscapes to Ancient Waters, artalk
2024 FOH Zine, South London Gallery
2023 SOME TIMES review
2023 Czech Centre Recommends
2022 Paper, Good Press
2020 Working Progress Review, Art Monthly
2020 Interview for Deptford X: https://deptfordx.org/news/lucie-kordacova/
2020 Art You Can Eat, Video Report, Volny Termin, Slovakia
2019 For some future time, Art Assassins & Peckham Experiment (invited to created workshopfor famililies at Douth London Gallery), ISBN: 978-1-898461-53-1
2019 Video Report Motion of Difference, Art You Can Eat
2019 Fotoreport Motion of Difference, artalk
2018 A Fluid Haze, Filo Magazine
2018 resina, Interview Filo Magazine
2018 Ferrara Residency, Estense Magazine
2018 A Fluid Haze: thought-forms from Ferrara Residency, catalogue
2017 Who Cares? catalogue, sold at South London Gallery
2015 Luca Zordan: Fachwerken/Mitwirken publication, ISBN-10. 1507823169
2014 A Time For Dreams, 4th Moscow International Biennale For Young Art, ISBN 978-5-94620-093-6
2013 Minimalni Trvanlivost, exhibition catalogue
2013 Fotoreport Bramerova Kurie, artalk
2013 Minimalni Trvanlivost Review, artalk
2013 Video Report Bramerova Kurie, Artycok
2011 Report from Fashion Weekend, Tyden Newspaper
2011 Krakora Fashion Interview, Radio Wave
2011 Report Prague Fashion Weekend, Lidovky Newspapers
2011 Report Prague Fashion Weekend, Webnoviny.sk
2011 Report Prague Fashion Weekend, Prozeny Newspapers
2011 Report Prague Fashion Weekend, Prazsky Denik Newspapers
2011 Report Prague Fashion Weekend, Moda.sk
2010 Report Fashion Show Roxy Club, idnes.cz
2010 Report Fashion Show Roxy Club, Chytra Zena Magazine
Bio
Lucie Kordačová is Czech artist based in Sheffield. She holds an MA in Fine Arts from J.E. Purkyně University (2014) and has studied at the Academy of Fine Arts in Prague and the Academy of Fine Art and Design in Bratislava. She is an alumna of South London Gallery’s REcreative Film School (Radical Film School).
In 2016, Lucie won the Deptford X Fringe Award for the sculptural installation Watching a Strange Theatre with Karolína Mikesková, and they were awarded a solo show at Deptford X Gallery in 2017. During 2020-23 Lucie completed costumes, textile sculptures and video commissions which were seen in the V&A Museum, Stanley Picker Gallery, Sadler’s Wells in London as well as CCA in Derry-Londonderry. In 2023 she was invited to create an exhibition with the Society of Explorers at Site Gallery in Sheffield. That same year she also received specialist costume training through the Start a Career in Costume programme with Emmy and BAFTA-winning costume designer Jane Petrie.
In 2025, she was selected to join the Yorkshire Sculpture International (YSI) Sculpture Network, a network of sculptors supported by the Henry Moore Institute, Leeds Art Gallery, The Hepworth Wakefield and Yorkshire Sculpture Park. In 2026, Lucie was selected for Yorkshire Artspace’s Testing Ground Residency. The same year Lucie was selected by Workingclass Database to create a new body of work for Henry Moore After Hours, a co-commission with the Royal Botanic Gardens, Kew in London.
Lucie’s work has been exhibited in group exhibitions and festivals across the UK and internationally. She has exhibited at institutions including Site Gallery, GLOAM, Bloc Projects in Sheffield, the Henry Moore Institute Library in Leeds, South London Gallery and Kingsgate Gallery in London, FOR MAAT Gallery in Trenčín, MeetFactory and TRAFO Gallery in Prague, Prague National Gallery, and the Biennale of Young Art at MMOMA in Moscow. She has also presented her work through festivals including the International Glass Festival in Biot, France, and No Bounds Festival in Sheffield.
Lucie has worked with galleries and cultural organisations including Cinema For All in Sheffield, South London Gallery, Rowing in London, A4 Space For Contemporary Culture in Bratislava and Deptford Cinema in London.
2026 Perennial, Haarlem Artspace, Wirksworth/ UK
2026 Artificial Flavour, Sata Gallery (Arts Basel Hong Kong)/ HK
2026 Members Open Show, Bloc Project, Sheffield/ UK
2025-2026: Gentle Revolts, selected by Umulkhayr Mohamed, Bloc Project, Sheffield/ UK
2025 Hammer, Anvil, Stirrup, YSI , Henry Moore Institute Research Library, Leeds /UK
2025 Rhythm of Labour: Grit & Graft, Hedge & No Bounds festival, Sheffield /UK
2025 Czech National Day at Saul Hay Gallery, Manchester /UK
2025 Performance Melusine, Crystal Valley Week, Liberec /CZ
2025 Gloam Exchange with Free House, Junction Works (Grand Union), Birmingham /UK
2024 Wearable sculpture commissioned by Laura Wilson, East Gallery Norwich University of the Arts, Norwich /UK
2024 Fusion, Museum of History and Ceramics in Biot, Biot/ FR
2024 Melusine: Whispers of the Glass Serpent, International Glass Festival, Biot/ FR
2024 Hydra, Collective Fictions, St Leonards-on-Sea / UK
2024 OSTARA, Electro Studio Project Space, St Leonards-on-Sea /UK
2023 Costume commissioned by Laura Wilson: To the Wind’s Teeth & Deep, Deepen, Deepening costumes on display at CCA, Derry-Londonderry /UK
2022 Gutted; IN-SIDE-OUT-SIDE-IN, Site Gallery, Sheffield /UK
2021 Commissioned by Laura Wilson: Resting; Stanley Picker Gallery, London /UK
2021 Costume commissioned by Laura Wilson: Resting; V&A Museum, London /UK
2021 Costume commissioned by Laura Wilson: To the Wind’s Teeth; Llwyn Celyn /UK
2020 Let's All Look at How We Look When We Are Alone Together, ReCreative Film School Online Screening, South London Gallery, London /UK
2020 Volny Termin, group show, Pistoryho Palac, Bratislava /SK
2020 Costumes for Janine Harrington: good luck, dinosaur; Fest en Fest, London /UK
2019 Motion of Difference, Temporary Parapet Gallery, Bratislava /SK
2019 Artrooms, Moravany Nad Vahom, Slovakia /SK
2019 Invisible City, The Steamship, London /UK
2019 Costumes for Laura Wilson: Deep, Deepen, Deepening, Norwich Castle Museum & Art Gallery /UK
2018 RAM reading group, Index - The Swedish Contemporary Art Foundation, Stockholm /SE
2018 How did you get into my house?, REcreative Screening, South London Gallery, London /UK
2017 a bath of self-esteem, Galleria del Carbone and GATE/Porta, Ferrara/ IT
2017 Who Cares?, Ilturco, Ferrara/IT
2016 0 or 1, HIVE Dalston, London /UK
2016 The Hospitality 1, Deptford Cinema, London /UK
2015 OFF2 BIENNALE, Prague National Gallery /CZ
2014 Participant of The actual Utopia month project by Maureen Bachaus at 'Flux Factory contemporary art centre' in New York City /US
2014 YOU ARE HERE, Kingsgate Gallery, London /UK
2014 Contextilisation, Kalopsia Gallery, Edinburgh /UK
2014 Peripheral Vision, Biennale of young Art, MMOMA, Moscow /RU
2014 3 plus 3, Ponava factory, Brno /CZ
2014 MA exhibition, YMCA, Bratislava /SK
2014 CZECHOSLOVAKIA, The Nitra Gallery, Nitra /SK
2014 Nalomeni, K4 Gallery, Prague /CZ
2013 KURA’s festival, Sedlec-Kutna Hora /CZ
2013 Umeni z mista, Nekazanka, Prague /CZ
2013 Bramer’s mansion, Museum of Hungarian Culture in Slovakia, Bratislava /SK
2013 Portas Abertas/Open Doors, Evora /PT
2013 Fud in Meetfactory, Meetfactory, Prague /CZ
2013 Jejihloubka ornamentu, Gallery Na Kalvarii, Ostre /CZ
2013 Minimální trvanlivost, Emil Filla Gallery, Usti nad Labem /CZ
2012 V jednom kole v sedmém nebi, Liberec /CZ
2012 V zahradach, Symposium, Litomerice /CZ
2012 Move-up, Porto, Portugal /PT
2010 BA degree exhibition, North Bohemian Museum, Liberec /CZ
2009 Gründerkunstpreis in Zittau Library and National Technical Library, Liberec /CZ, DE
Publications/ Press
2026 Interview with Workingclass database
2026 Workings, publication about Lucie’s residency at YAS with text by Meghan Goodeve
2026 Hammer, Anvil, Stirrup, artist's publication made by the fifteen sculptors of YSI Sculpture Network 2025, ISBN: 978-1-905462-68-1
2026 https://www.sata.info/events/dialogue-forging-human-networks-connections-in-artificial-flavour-by-lily-wong/
2025 Axisweb Curated Section, Selected by Lucy Wright
2024 Flesh Art no. 73, From Arid Landscapes to Ancient Waters, review by Lucia Kotvanova
2024 From Arid Landscapes to Ancient Waters, artalk
2024 FOH Zine, South London Gallery
2023 SOME TIMES review
2023 Czech Centre Recommends
2022 Paper, Good Press
2020 Working Progress Review, Art Monthly
2020 Interview for Deptford X: https://deptfordx.org/news/lucie-kordacova/
2020 Art You Can Eat, Video Report, Volny Termin, Slovakia
2019 For some future time, Art Assassins & Peckham Experiment (invited to created workshopfor famililies at Douth London Gallery), ISBN: 978-1-898461-53-1
2019 Video Report Motion of Difference, Art You Can Eat
2019 Fotoreport Motion of Difference, artalk
2018 A Fluid Haze, Filo Magazine
2018 resina, Interview Filo Magazine
2018 Ferrara Residency, Estense Magazine
2018 A Fluid Haze: thought-forms from Ferrara Residency, catalogue
2017 Who Cares? catalogue, sold at South London Gallery
2015 Luca Zordan: Fachwerken/Mitwirken publication, ISBN-10. 1507823169
2014 A Time For Dreams, 4th Moscow International Biennale For Young Art, ISBN 978-5-94620-093-6
2013 Minimalni Trvanlivost, exhibition catalogue
2013 Fotoreport Bramerova Kurie, artalk
2013 Minimalni Trvanlivost Review, artalk
2013 Video Report Bramerova Kurie, Artycok
2011 Report from Fashion Weekend, Tyden Newspaper
2011 Krakora Fashion Interview, Radio Wave
2011 Report Prague Fashion Weekend, Lidovky Newspapers
2011 Report Prague Fashion Weekend, Webnoviny.sk
2011 Report Prague Fashion Weekend, Prozeny Newspapers
2011 Report Prague Fashion Weekend, Prazsky Denik Newspapers
2011 Report Prague Fashion Weekend, Moda.sk
2010 Report Fashion Show Roxy Club, idnes.cz
2010 Report Fashion Show Roxy Club, Chytra Zena Magazine
Bio
Lucie Kordačová is Czech artist based in Sheffield. She holds an MA in Fine Arts from J.E. Purkyně University (2014) and has studied at the Academy of Fine Arts in Prague and the Academy of Fine Art and Design in Bratislava. She is an alumna of South London Gallery’s REcreative Film School (Radical Film School).
In 2016, Lucie won the Deptford X Fringe Award for the sculptural installation Watching a Strange Theatre with Karolína Mikesková, and they were awarded a solo show at Deptford X Gallery in 2017. During 2020-23 Lucie completed costumes, textile sculptures and video commissions which were seen in the V&A Museum, Stanley Picker Gallery, Sadler’s Wells in London as well as CCA in Derry-Londonderry. In 2023 she was invited to create an exhibition with the Society of Explorers at Site Gallery in Sheffield. That same year she also received specialist costume training through the Start a Career in Costume programme with Emmy and BAFTA-winning costume designer Jane Petrie.
In 2025, she was selected to join the Yorkshire Sculpture International (YSI) Sculpture Network, a network of sculptors supported by the Henry Moore Institute, Leeds Art Gallery, The Hepworth Wakefield and Yorkshire Sculpture Park. In 2026, Lucie was selected for Yorkshire Artspace’s Testing Ground Residency. The same year Lucie was selected by Workingclass Database to create a new body of work for Henry Moore After Hours, a co-commission with the Royal Botanic Gardens, Kew in London.
Lucie’s work has been exhibited in group exhibitions and festivals across the UK and internationally. She has exhibited at institutions including Site Gallery, GLOAM, Bloc Projects in Sheffield, the Henry Moore Institute Library in Leeds, South London Gallery and Kingsgate Gallery in London, FOR MAAT Gallery in Trenčín, MeetFactory and TRAFO Gallery in Prague, Prague National Gallery, and the Biennale of Young Art at MMOMA in Moscow. She has also presented her work through festivals including the International Glass Festival in Biot, France, and No Bounds Festival in Sheffield.
Lucie has worked with galleries and cultural organisations including Cinema For All in Sheffield, South London Gallery, Rowing in London, A4 Space For Contemporary Culture in Bratislava and Deptford Cinema in London.